FStoppers

When you thought that $10,000 lens was expensive, wait until you see these camera systems that literally cost more than a Harvard education. These aren't your typical Instagram-worthy photography gear—they're the kind of setups that make your bank account weep and your spouse file for divorce.

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Canon's RF 100-300mm f/2.8 L IS USM lens promises to revolutionize telephoto photography with its unprecedented zoom range at a constant f/2.8 aperture. You're looking at a lens that could potentially replace multiple prime lenses in your kit, but the $9,500 price tag demands serious consideration.

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Canon's budget-friendly RF 16mm f/2.8 STM lens has sparked debates about whether you really need to spend over $2,000 on professional glass. The question becomes even more pressing when you consider that this $300 lens promises to deliver much of what photographers need for wide angle work.

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The Hasselblad 907X & CFV 100C represents something nearly extinct in modern photography: a camera designed primarily for waist-level shooting. This approach to image-making defined an entire era of street and documentary photography, yet virtually no manufacturers make cameras optimized for this shooting style today.

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Tamron has announced the upcoming release of its 18-300mm f/3.5-6.3 Di III-A VC VXD (Model B061) lens for Canon RF and Nikon Z APS-C mirrorless camera systems. The suggested retail price is $629.

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Photography once demanded patience, skill, and genuine artistic vision, but social media platforms have systematically dismantled these foundations in favor of instant gratification and algorithmic manipulation. What was once a revered art form requiring years of technical mastery and creative development has too often been reduced to a quick-hit dopamine delivery system where engagement metrics matter more than artistic merit.

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Sigma created the world's first full frame zoom lens with an f/1.8 aperture, and it might change how you might think about lens choices for both video and photography. The 28-45mm f/1.8 range offers something that's never existed before: prime-level speed across multiple focal lengths without the hassle of constantly swapping glass.

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Nothing really puts a camera to the test like photographing a full wedding day. There is documentary photography, product photography, portraits, landscapes, and even low-light photography all rolled up into one event. So can the Fujifilm GFX100RF keep up?

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Sony's lens lineup has a notable gap when it comes to fast 35mm options, leaving many photographers searching for third-party alternatives. The Viltrox AF 35mm f/1.2 LAB FE lens aims to fill that void with professional-grade features at a fraction of the cost you'd expect.

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Canon’s mid-tier 50mm fills a gap many have felt for years. If you’ve been debating between the pricey f/1.2 and the budget f/1.8, the Canon RF 50mm f/1.4 L VCM lens lands right in the middle with sharp optics, fast autofocus, and a size you won’t dread carrying all day.

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Choosing between the DJI Osmo 360 and Insta360 X5 isn't about finding a clear winner. Both cameras deliver solid performance, but your decision hinges on two critical factors that most people overlook.

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That bargain client who seemed like easy money might be the most expensive mistake you'll ever make. While premium clients pay well and respect your time, cheap clients create a cascade of hidden costs that can destroy your photography business faster than a dropped camera.

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If you shoot weddings or portraits, you already know how an 85mm changes the look of a frame. The right 85mm gives you crisp eyes, soft backgrounds, and the working distance to keep moments natural.

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It may sound bold, but I do believe Leica M-mount lenses are making a quiet resurgence, not just among loyal Leica shooters, but across the broader mirrorless world. A statement like that probably needs some explanation, so hear me out.

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The Sony FE 50-150mm f/2 GM lens offers constant f/2 across a hugely useful range, giving you tighter framing and background separation without jumping to primes. Can it replace all those primes?

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If you shoot high-resolution stills and need reliable video on the side, the Sony a7R V mirrorless camera sits in a tempting spot. You get 61 megapixels, a superb EVF, and autofocus that lets you focus on the scene instead of fighting the camera.

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Wide angle zooms are tricky. You want width without warping faces, speed without bulk, and autofocus that doesn’t miss when your subject moves. That’s why a 16–30mm f/2.8 that stays sharp, balances on a gimbal, and holds focus in tough light matters if you like working close, shooting environmental portraits, city scenes, or video where you walk and talk.

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Getting into video production? Want to record a podcast? Maybe interview someone for a vlog? There are microphone solutions for all of these individual audio scenarios, but there isn’t any one handy solution that covers them all. Until now.

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Every photographer's journey starts with boundless enthusiasm and a camera, but most beginners unknowingly sabotage their progress with costly mistakes that could easily be avoided. These ten brutal truths about amateur photography will save you thousands of dollars, countless hours of frustration, and help you skip the painful learning curve that destroys so many creative aspirations.

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The conventional wisdom says you should stick with Sony or Canon when buying your first full frame camera. This advice might actually cost you money and limit your creative potential in ways you haven't considered.

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