Photography News

You spend hours dragging sliders when you would rather be out shooting. Cutting that processing time in half starts at the moment you press the shutter. Treating capture as a deliberate commitment instead of a casual tap changes how consistent your files are and how long you stay stuck at the computer.

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Forget megapixels and AF points. This is a list of cameras that deserve your attention not because they'll make you a better photographer, though they might, but because they represent something pure about the act of making images. They are defined by their unique constraints and the deliberate, often joyful experience they offer. These are cameras worth shooting for the love of the art itself.

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Can a compact body can actually stand next to medium format cameras in brutal exposure tests? This video goes straight into that question with controlled comparisons that show you where your camera quietly saves your mistakes and where it taps out.

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A constant f/2.8 telephoto zoom that reaches a 100 to 400mm equivalent range changes how you work in low light, with moving subjects, and in tight spaces near wildlife. If you have been juggling slower zooms or heavy glass, this new option hits a mix of reach, speed, and handling that directly affects what you can capture in the field.

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f/2.8 vs f/4: Is the difference worth the upgrade? Let’s see how Mark Denney thoroughly investigates a long-standing debate among photographers: whether the premium price of a fast f/2.8 lens is truly justified over a more affordable f/4 lens, especially for landscape photography where apertures are typically closed down.

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Blending modes in Photoshop decide how layers interact, shaping composites, color work, and detail control across your images. Understanding them lets you replace messy selections with clean, flexible control over light, shadow, and color in complex edits.

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Photo by David Burleson

Add A Vignette

To create mood and to add emphasis apply a vignette to your transport shots. For more information on how to do this, take a look at our tutorial: Creating Vignettes.

Shoot Inside

As well as shooting the outside, if you can, open the doors of the car, truck or of whatever transport you’re photographing and capture some interior shots. You can go wide, capturing the whole of the interior or use a close-up lens to focus on detail such as dials, buttons and badges.
 

Fill The Frame

To really add emphasis so the car is the only focal point of the shot, fill the frame with it. This, however, doesn’t mean it has to be positioned in the centre of the shot. Move your position slightly to the left or right and you’ll see how it can make a really big difference to the overall image. Just make sure you don't clip off a wing mirror or a wheel in the process.

Photo by David Burleson

Use Reflections

Try using the car’s mirrors or some part of its bodywork to capture a reflection of another part of the car in. Just have a good look at the reflection to make sure you or any passers-by aren’t captured in the shot as you’ll have to spend time cloning them out later if you do.

Away from the car look for puddles and other reflective surfaces you can photograph. New buildings, which are full of glass and steel, are great backdrops to position new cars against.

Stepping further back so you can see the reflection of the horizon down the side of the car can also work brilliantly, particularly at sunset or if you're in a picturesque location.

Photo by David Burleson

Change Angles

Take a walk around the mode of transport you’re photographing and look for the angles, shapes and little details that make it unique. 

Get low to headlight level to make it look intimidating while shooting from the side will give you the chance to follow the lines of the car’s bodywork which will help guide the eye through the shot.

Shoot up high so you can show the car’s overall shape, just make sure the sky’s not overexposed. You can always fit an ND grad to darken the sky, creating more mood. For wider shots, make sure you can’t see what’s behind the car from underneath it as this will be distracting.
 

In the autumn of 2013, if you walked into any professional photography studio, sporting event, or wedding venue, you'd see a sea of black cameras with red rings and gold badges. Canon's 5D Mark III and Nikon's D800 weren't just cameras, they were symbols of serious photography. Their size, their weight, their distinctive mirror slap, these were the sounds and feels of professional work. The camera industry had a natural order, and everyone knew their place in it. Then Sony dropped a bomb.

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The latest winner of our popular daily photography theme which takes place in our forums have been chosen and congratulations go to Kenwil (Day 06 - Creative White Balance)

 

Daily Theme Runners-Up

If you didn't win this time, keep uploading your images to the daily competition forum for another chance to win! If you're new to the Daily Theme, you can find out more about it in the Daily Theme Q&A. 

Well done to our latest runners-up, too, whose images you can take a look at below.

  Day 1

National Parks

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  Day 2

'Win' Theme

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Day 3

Fireworks

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Day 4

Races

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  Day 5

Photo Walk

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Day 7

Panoramas

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You’ll find the Daily Themes, along with other great photo competitions, over in our Forum. Take a look to see the latest daily photo contests. Open to all levels of photographer, you’re sure to find a photography competition to enter. Why not share details of competitions with our community? Join the camaraderie and upload an image to our Gallery.

Stop losing shots to tiny, avoidable mistakes. Backgrounds, angles, framing, and light choices can quietly sabotage portraits even when exposure and focus look fine.

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Hasselblad’s XCD 25V promises a unique balance of speed, sharpness, and portability. After testing it in the field, including under extreme alpine conditions, I can confidently say it delivers more than expected.

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Common shooting habits wreck otherwise solid images fast. Clean composition, honest intent, and patience change your hit rate faster than a new body or another preset.

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Lightroom Classic 15.0 adds Assisted Culling that uses AI to find sharp, usable frames fast. If you shoot people, sorting by “eye focus” and “eyes open” cuts wasted time and keeps soft poses from sneaking into client picks.

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If your photo editing still feels chaotic, bouncing between endless sliders without consistent results, the issue isn't your software; it’s your strategy. Let’s explore how Mark rectified his biggest mistake after a decade in the field, transforming raw files into finished artwork with effortless precision.

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Travel pushes your eye and your planning at the same time. You want fewer hassles at the airport and stronger images once you land. Here's how to accomplish that.

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Remembrance Sunday is a day that commemorates the sacrifices of armed forces and civilians in times of war and artificial poppies are bought and worn as a mark of respect. Although the 11th is the actual Remembrance Day, a two-minute silence is observed at war memorials and other public spaces across the UK at 11am on Remembrance Sunday. At these locations and for weeks after you will see decorative wreaths of poppies placed at these memorials which can make an interesting subject for photographers.

 

What sort of kit is best?

Any compact camera can be used to photograph memorials and artificial poppies. As long as it has a lens with a fairly close focus you will be able to shoot closer shots of individual poppies or wreaths, and a wide angle will help you take a more overall view of the scene.
 

The main thing you need is imagination.

Respect your surroundings

At all times respect the location. These are areas marked for people who lost their lives and people come to pay their respects. The last thing they want is a disrespectful photographer interrupting their moment.  

Memorials are often grand structures and dwarf the wreaths placed below them so consider moving in closer with a tighter crop of the scene. Use a wide-angle lens and move in close placing the memorial to one side and allow the background scenery/cityscape to contrast against the scene.
 

Utilise the colour of the poppies

Consider the bright colour of the poppies against the often cold dark tones of the memorial and underexpose slightly so the darker areas become a stark contrast behind the vibrant red of the poppies. You can adjust the contrast and colour saturation using your image editing program to enhance the poppy colour.

Try focusing on a single poppy and isolate it from the rest of the scene. Placing one strategically on a part of the memorial will give an interesting still life set. Use a polarising filter to prevent reflections from the statue or polished marble.
 

Be creative with your angles

Hone in on a single poppy in a wreath and use a wide aperture to throw the rest out of focus. Choose the right angle and the rest will be a blur of red as a background.

Many of the memorials have very poignant messages engraved in the marble. Try including one of these in the shot with a wreath. Have the wreath on the foreground and the message tailing off to the distance. Photography the message head-on and cropped so just a few of the words are visible with a single poppy laid over them.

 

Don't forget the people at the ceremonies

Candid shots of old war veterans wearing poppies can make good photographs. Again, respect the person. Asking if you can take a photograph is polite and then you don't have to grab the moment. You can spend a few minutes composing the shot and making sure the viewpoint is good. If the person is in a wheelchair get down to their level for a better perspective.

A photo of a person placing a poppy on the memorial could look good from the right angle. Again, take from a low viewpoint and makes sure the face and the poppy are in frame. 

B&H is keeping the deals flowing with impressive discounts across their photography lineup. Whether you're looking to upgrade your camera body, add professional glass to your kit, or stock up on memory cards, there's something here for every photographer's budget.

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Pentax released Star AF in the United States recently. Of course, I had to kick the tires on it. And yeah, it's good. Really good. I describe my “real-world” experience with it during two night photography trips to Joshua Tree National Park in California to photograph the Milky Way.

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The DJI Osmo Mobile 8 is the latest smartphone gimbal from DJI, and while it still looks primarily the same, it quietly fixes and updates everything you wished the predecessor would have. The gimbal now supports 360° pan rotation, updated intelligent tracking, and access to Apple’s intelligent subject-tracking technology. This gimbal finally feels like an all-around tool that can be integrated seamlessly into your filmmaking workflow.

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The German AI photo editing provider Neurapix has announced a powerful new feature for its Lightroom plugin during the Neurapix Conference 2025. From now on, photographers can manually adjust their SmartPresets, allowing them to fine-tune or completely redefine their editing style with just a few clicks.

Brightness, color tones, and overall looks can evolve over time — and now, Neurapix users can easily reflect these changes in their own SmartPresets. With the new "Adjust SmartPreset" feature, photographers can manually modify the AI slider values of their individual looks to better match their current style.

To use the feature, photographers simply select images that were edited with the SmartPreset they wish to modify. Within Adobe Lightroom Classic, they follow the familiar path (Library > Plug-in Extras) and click on "Adjust SmartPreset". A new window opens, displaying the selected example images along with Lightroom's well-known adjustment sliders. These settings can be modified at will and then saved as the new default configuration for the SmartPreset.

 

 

Flexible Editing for All SmartPresets

Users can adjust not only their own SmartPresets but also those they've purchased from other photographers — as often as they like, and at no additional cost. The new feature is automatically available after updating the Neurapix plugin. The update will be offered in a pop-up when Lightroom Classic is next launched or can be triggered manually in the Plug-in Manager.

In addition, users can still refine their own SmartPresets by allowing the AI to analyze and incorporate manual post-corrections made after the automated edit. This option, formerly known as "Refine SmartPreset", now appears as "Send Corrections" in the Lightroom menu.

"The ability to quickly and easily adjust SmartPresets makes our offering even more flexible and versatile for photographers," says Nils Sauder, Co-Founder and CEO of Neurapix. "It also allows them to purchase SmartPresets from other photographers and adapt them to their own preferences — making it even easier to get started with AI-powered photo editing." 

 

About Neurapix

Neurapix is a German AI start-up based in Goettingen that was founded in 2021. The company has developed an artificial intelligence that is able to learn a photographer's image editing style and apply it within Adobe Lightroom Classic. This allows photographers to have large numbers of photos edited in their own style, resulting in significant time savings of around 90%. Fore more information, please visit the Neurapix website.