FStoppers

Skylum has announced a significant fall update for Luminar Neo coming in early November.

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Today begins the first day of Adobe MAX, a gathering attended by 10,000 creatives who travel to Los Angeles for a series of presentations, classes, and demonstrations of Adobe’s latest innovations. This morning’s keynote presentation offered a look at new additions to several apps and insight into where the company is headed. As we have come to expect, AI-based technology was at the center of the announcements.

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"That's not real, that's AI!" If you post night photos on social media, you've most likely received comments like this before. It's the new way of saying, "You Photoshopped that!" Why do so many people think night photos are fake?

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The viewfinder isn't just how you see before shooting. It's how you think. Every viewing technology, from ground glass to electronic viewfinders, created a different kind of photographer with a different way of seeing. Some compositions only exist because of how the photographer had to look at the world through their particular viewfinder. Maier's intimate street portraits wouldn't exist without waist-level viewing. Adams's formal landscapes required the contemplation of ground glass. The viewfinder shaped the photograph before the shutter ever opened.

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Canon recently flew a group of journalists to Japan to share how it wants its cameras to be analogous to the Porsche 911. It’s an interesting comparison—one that says a lot about how Canon sees itself and its place in the industry.

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Every camera hides tools that quietly transform your photos. You might use them every day without realizing what they actually do or never notice them buried in your menu. These features aren’t just for advanced shooters. They’re there to make your work more consistent, sharper, and cleaner right out of the camera.

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You’ve probably seen budget lenses that promise performance close to premium glass, but this one lands differently. It’s not just another 85mm lens; it marks the start of an entirely new series that changes how Viltrox organizes its lineup and, possibly, how you’ll look at midrange primes.

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After more than a decade, Sony finally replaced one of its most trusted macro lenses. The wait raises a simple question: what makes this one different enough to matter?

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35mm is wide, but 28mm is wider. Does that impact your photography and images? Which one would you choose? The debate is ongoing, and the experiences are different for each photographer. Let’s discuss with examples to find out what’s going to be your favorite focal length.

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In my new YouTube video, Shooting Epic Landscapes in Terrible Weather, I take you behind the scenes of one of the most intense stages of my award-winning project ENLIGHTEN. The episode is about a lesson I learned the hard way: how to work with difficult weather and why those conditions often lead to the most powerful images. Here’s the full story behind that shoot.

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Pen tablets are probably the only precision tools shared by photographers and illustrators, and they play a key role in the creative process. However, they could never really be that functional without a keyboard or mini keyboard on the side. This aims to change that.

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Every year, photographers start flocking to forests, woodlands, and landscapes known for their beauty at the start of fall. The almost luminous greens of summer begin to fade into brilliant orange, red, and yellow as the air turns colder. Autumn is that short-lived season that tests the patience and timing of every photographer. But to truly capture the fleeting beauty of autumn, you’ll need a good plan and strategy before you leave the warmth of your house.

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The Viltrox AF 14mm f/4 Air Z gives you an ultra-wide look at the world without adding bulk to your bag. For landscape and architecture work, a 14mm full frame prime can shift how you compose and see space. It’s compact, inexpensive, and seems designed for travel or anyone who wants a lightweight wide option.

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A fast 70–180mm zoom with a constant f/2.8 changes what you carry and how you shoot. Shallow depth of field, compact size, and real stabilization make this class versatile for events, portraits, and video.

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The X-E5 targets a very specific need: a compact rangefinder-style body that still hands you serious files and usable video. If you shoot streets, travel, or daily life and want IBIS, a modern 40.2-megapixel sensor, and Fujifilm color without carrying a brick, this will get your attention.

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You push hard for “the shot,” then come home with images that feel flat. Woodland scenes punish rushing, and chasing a single hero frame often blinds you to the place that would deliver it on a better day.

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